{"id":766,"date":"2021-08-31T08:53:37","date_gmt":"2021-08-31T08:53:37","guid":{"rendered":"https:\/\/biennale-bacs.com\/?page_id=766"},"modified":"2022-02-01T10:39:41","modified_gmt":"2022-02-01T10:39:41","slug":"2021-artists","status":"publish","type":"page","link":"https:\/\/biennale-bacs.com\/index.php\/2021-artists\/","title":{"rendered":"2021 Artists"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" style=\"text-align:center\"><em>Hommage aux Ma\u00eetres disparus&nbsp;<\/em><\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"679\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-679x1024.png\" alt=\"\" class=\"wp-image-802\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-679x1024.png 679w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-199x300.png 199w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-768x1158.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image.png 1043w\" sizes=\"auto, (max-width: 679px) 100vw, 679px\" \/><figcaption><strong>Francis Bacon, \u00c9TUDE FOR THE RED POPE, 1972., PERCEZIONE DELL\u2019ANIMA,&nbsp;<\/strong><br> Lithographie sign\u00e9e. <br> Cm. 60 x 40.&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"522\" height=\"611\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-1.png\" alt=\"\" class=\"wp-image-804\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-1.png 522w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-1-256x300.png 256w\" sizes=\"auto, (max-width: 522px) 100vw, 522px\" \/><figcaption> <strong>Enrico Baj, MON AUTOPORTRAIT POUR MARIA CHRISTIANSEN, 1966.&nbsp;<\/strong><br> Encre color\u00e9e et fusain sur papier.&nbsp;<br> Cm. 25,5 x 22.&nbsp;<br> <strong>Collection priv\u00e9e.&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"594\" height=\"418\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-2.png\" alt=\"\" class=\"wp-image-806\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-2.png 594w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-2-300x211.png 300w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><figcaption><strong>Christo, WRAPPED VESPA, 2001. <\/strong><br> Photo sign\u00e9e \u00e0 la main.&nbsp;<br> Cm. 59,5 x 84.&nbsp;<br><strong>Collection priv\u00e9e.<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"846\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-3-846x1024.png\" alt=\"\" class=\"wp-image-808\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-3-846x1024.png 846w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-3-248x300.png 248w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-3-768x930.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-3.png 1587w\" sizes=\"auto, (max-width: 846px) 100vw, 846px\" \/><figcaption><strong>Lucio Fontana, CONCETTO SPAZIALE (Concept spatial), 1957. <\/strong><br> Huile et sable sur toile.&nbsp;<br> Cm. 49,5 x 60.&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-4-1024x681.png\" alt=\"\" class=\"wp-image-809\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-4-1024x681.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-4-300x200.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-4-768x511.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-4.png 1905w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>J\u00f6rg Immendorff, RICHTIGEN BRINGEN, 1987. <\/strong><br> Photo de l\u2019oeuvre sign\u00e9e \u00e0 la main par l\u2019artiste.&nbsp;<br> Cm. 16 x 10,5.&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"526\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-5.png\" alt=\"\" class=\"wp-image-810\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-5.png 400w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-5-228x300.png 228w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption><strong>Vassily Kandinsky, THE GALAXY STAR, <\/strong><br> Lithographie originale, num\u00e9rot\u00e9e et sign\u00e9 \u00e0 la main par l\u2019artiste. <br> Cm. 50 x 60.<br> <strong>Collection priv\u00e9e. <\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"309\" height=\"504\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-6.png\" alt=\"\" class=\"wp-image-811\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-6.png 309w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-6-184x300.png 184w\" sizes=\"auto, (max-width: 309px) 100vw, 309px\" \/><figcaption><strong>Carlo Mo, LES DERNIERS PR\u00c9SIDENTS. <\/strong><br> Dessein sur carton.&nbsp;<br> Cm 50 x 60.&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"787\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-7-1024x787.png\" alt=\"\" class=\"wp-image-812\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-7-1024x787.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-7-300x230.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-7-768x590.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-7.png 1584w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Edvard Munch, MAN IN A ROOM, 1935. <\/strong><br> Huile sur toile, sign\u00e9.&nbsp;<br> Cm. 71 x 56.&nbsp;<br> <strong>Collection priv\u00e9e<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"550\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-8-1024x550.png\" alt=\"\" class=\"wp-image-813\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-8-1024x550.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-8-300x161.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-8-768x412.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-8.png 1904w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Pablo Picasso, GUERNICA, 1937. <\/strong><br> Multiple. Pastel sur papier.&nbsp;<br> Cm. 45 x 24.&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong> <br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"866\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-9-866x1024.png\" alt=\"\" class=\"wp-image-815\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-9-866x1024.png 866w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-9-254x300.png 254w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-9-768x908.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-9.png 1016w\" sizes=\"auto, (max-width: 866px) 100vw, 866px\" \/><figcaption><strong>Mark Rothko, SANS TITRE, 1967. <\/strong><br> Huie sur toile.&nbsp;<br> Dimensions: cm. 30 x 35.&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong> <br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"852\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-10-1024x852.png\" alt=\"\" class=\"wp-image-817\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-10-1024x852.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-10-300x250.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-10-768x639.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-10.png 1064w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Jean Villeri, M\u00c9DITERRAN\u00c9E, 1964. <\/strong><br> Huile et technique mixte sur toile.&nbsp;<br> Cm 114 x 162.&nbsp;<br> <strong>Prix: 7.000 \u20ac <\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"text-align:center\"><em>Ma\u00eetres vivants<\/em><\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"775\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-11-775x1024.png\" alt=\"\" class=\"wp-image-820\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-11-775x1024.png 775w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-11-227x300.png 227w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-11-768x1014.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-11.png 888w\" sizes=\"auto, (max-width: 775px) 100vw, 775px\" \/><figcaption><strong>Banksy, DISMALAND, 2021. <\/strong><br> Peinture au pochoir sur carton, sign\u00e9.&nbsp;<br> Cm. 60 x 40.&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"632\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-12-632x1024.png\" alt=\"\" class=\"wp-image-821\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-12-632x1024.png 632w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-12-185x300.png 185w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-12-768x1245.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-12.png 1420w\" sizes=\"auto, (max-width: 632px) 100vw, 632px\" \/><figcaption><strong>Kim Boulukos, CERF 2021. <\/strong><br> R\u00e9sine polyester, acier, grains, peinture, pigments, vernis.&nbsp;<br> Oeuvre unique.&nbsp;<br> Cm.260 x 50 x 50&nbsp;<br> <strong>Prix: 22.000 \u20ac<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"657\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-13-1024x657.png\" alt=\"\" class=\"wp-image-822\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-13-1024x657.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-13-300x193.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-13-768x493.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-13.png 1055w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Emmanuel Chapalain, LES THONS ARC-EN-CIEL. <\/strong><br> Technique mixte, peinture \u00e0 spray sur aluminium.&nbsp;<br> Cm 125 x 180.&nbsp;<br> <strong>Collection priv\u00e9e. <\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"938\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-14-1024x938.png\" alt=\"\" class=\"wp-image-823\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-14.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-14-300x275.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-14-768x704.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Daphne Dubarry, MICHAEL LONSDALE, 2021. <\/strong><br> Buste en bronze.&nbsp;<br> Hauteur 45 cm&nbsp;<br> <strong>Prix: 16.000 \u20ac <\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"775\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-15-1024x775.png\" alt=\"\" class=\"wp-image-824\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-15-1024x775.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-15-300x227.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-15-768x581.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-15.png 1631w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Brian Finch, WINE STAIN, 2021. <\/strong><br> Photo peinte, papier, pi\u00e8ce unique.&nbsp;<br> Cm. 100 x 70.&nbsp;<br> <strong>Prix: 2.500 \u20ac <\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"869\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-16-1024x869.png\" alt=\"\" class=\"wp-image-825\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-16-1024x869.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-16-300x255.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-16-768x652.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-16.png 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption> <strong>Damien Hirst, ESCULETIN<\/strong>, 2012&nbsp;<br> Gravure sur bois sur papier blanc&nbsp;<br> 48,3 \u00d7 55,9 cm&nbsp;<br> Edition de 55 pi\u00e8ces.&nbsp;<br> <strong>Collection priv\u00e9e. <\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"915\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-17-1024x915.png\" alt=\"\" class=\"wp-image-826\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-17-1024x915.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-17-300x268.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-17-768x686.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-17.png 1903w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>David Hockney, F\u00c9LICIT\u00c9 SLEEPING WITH PARROT, 1974 <\/strong><br> <strong>(F\u00e9licit\u00e9 dormant avec le Perroquet).&nbsp;<\/strong><br> Eau-forte sign\u00e9e.&nbsp;<br> Cm. 60 x 50&nbsp;<br> <strong>Collection priv\u00e9e. <\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"838\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-18-838x1024.png\" alt=\"\" class=\"wp-image-827\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-18-838x1024.png 838w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-18-245x300.png 245w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-18-768x939.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-18.png 850w\" sizes=\"auto, (max-width: 838px) 100vw, 838px\" \/><figcaption><strong>Yayoi Kusama, DAWN ART PRINT, 1989. <\/strong><br> Estampe sur papier, sign\u00e9e, \u00e9dition limit\u00e9e (100 pi\u00e8ces).&nbsp;<br> Cm. 52,8 cm x 45,4&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong> <\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"745\" height=\"782\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-19.png\" alt=\"\" class=\"wp-image-828\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-19.png 745w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-19-286x300.png 286w\" sizes=\"auto, (max-width: 745px) 100vw, 745px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"745\" height=\"782\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-20.png\" alt=\"\" class=\"wp-image-829\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-20.png 745w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-20-286x300.png 286w\" sizes=\"auto, (max-width: 745px) 100vw, 745px\" \/><figcaption><strong>Langlands &amp; Bell, ENCLOSURE AND IDENTITY, 1996. <\/strong><br> Impressions en relief \u00e0 l&#8217;aveugle sur papier Somerset Satin 300 g\/m\u00b2, two pieces.&nbsp;<br> Cm. 76 x 71.&nbsp;<br> <strong>Prix: 6.000 \u20ac <\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"233\" height=\"743\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-21.png\" alt=\"\" class=\"wp-image-830\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-21.png 233w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-21-94x300.png 94w\" sizes=\"auto, (max-width: 233px) 100vw, 233px\" \/><figcaption><strong>Fr\u00e9d\u00e9rique Nalbandian, FRAGMENTS AMOUREUX, 2019. <\/strong><br> Sculpture en savon de Marseille.&nbsp;<br> Cm. h168 x diam. 21.&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-22-768x1024.png\" alt=\"\" class=\"wp-image-831\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-22-768x1024.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-22-225x300.png 225w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-22.png 1418w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption><strong>Pari Ravan, L\u2019\u00c9COLI\u00c8RE, 2021. <\/strong><br> R\u00e9sine, \u00e9dition limit\u00e9e 8 pi\u00e8ces.&nbsp;<br> Cm. 150 x 70 x 70. Poids: 20 kg.&nbsp;<br> <strong>Prix: 7.000 \u20ac<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"353\" height=\"530\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-23.png\" alt=\"\" class=\"wp-image-832\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-23.png 353w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-23-200x300.png 200w\" sizes=\"auto, (max-width: 353px) 100vw, 353px\" \/><figcaption><strong>Gerhard Richter, VICTORIA I, 2003. <\/strong><br> Lytographie.&nbsp;<br> Cm 60 x 80.&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"884\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-24-1024x884.png\" alt=\"\" class=\"wp-image-833\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-24-1024x884.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-24-300x259.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-24-768x663.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-24.png 1917w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Greta Sch\u00f6dl, SANS TITRE 1979. <\/strong><br> Crayon, encre, or sur papier.&nbsp;<br> Cm. 73 x 62.&nbsp;<br> <strong>Collection priv\u00e9e.<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-25-486x1024.png\" alt=\"\" class=\"wp-image-834\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-25-486x1024.png 486w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-25-142x300.png 142w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-25-768x1619.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-25.png 1143w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><figcaption><strong>Leo Wesel, UNTITLED 2021 (Sans titre). <\/strong><br> Fonte d&#8217;aluminium, technique de la cire perdue.&nbsp;<br> Cm. 132 x 36 x 15.&nbsp;<br> <strong>Prix: 12.500 \u20ac<\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Artistes invit\u00e9s<\/em><\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"671\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-26-1024x671.png\" alt=\"\" class=\"wp-image-835\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-26-1024x671.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-26-300x196.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-26-768x503.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-26.png 1912w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Gabriela Abud, JESUS TAKEN DOWN FROM CROSS <\/strong><br> <strong>(J\u00e9sus descendu de la Croix), 2021.&nbsp;<\/strong><br> Aquarelle sur papier d\u2019Arches.&nbsp;<br> <strong>Prix: 400 \u20ac<\/strong>. <br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"552\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-27-552x1024.png\" alt=\"\" class=\"wp-image-836\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-27.png 552w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-27-162x300.png 162w\" sizes=\"auto, (max-width: 552px) 100vw, 552px\" \/><figcaption><strong>Algarco, TORSETTO ELLENICO d.C. (<em>Torset hell\u00e9nique A.D.<\/em>), 2021&nbsp;<\/strong><br> Bronze patin\u00e9, bronze poli et marbre&nbsp;<br> Dimensions: cm. 146 x 32 x 52.&nbsp;<br> <strong>Prix: 77.000 \u20ac<\/strong>.&nbsp; <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-28-683x1024.png\" alt=\"\" class=\"wp-image-838\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-28-683x1024.png 683w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-28-200x300.png 200w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-28-768x1151.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-28.png 1480w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption><strong>Laura Altobelli, IL VELO BLU (<em>La Voile bleue<\/em>), 2021.&nbsp;<\/strong><br> Acrylique sur toile, technique mixte et feuille de cuivre.&nbsp;<br> Dimensions: cm. 150 x 100.&nbsp;<br> <strong>Prix: 12.000 \u20ac<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"421\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-29-1024x421.png\" alt=\"\" class=\"wp-image-839\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-29-1024x421.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-29-300x123.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-29-768x316.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-29.png 1939w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Letizia Ardillo, BERESHIT, 2020. <\/strong><br> Impression num\u00e9rique et papier ancien peint avec des pigments, du carbone, de l&#8217;or et des \u00e9mulsions.&nbsp;<br> Cm. 79 x 49&nbsp;<br> <strong>Prix: 2.200 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-30-480x1024.png\" alt=\"\" class=\"wp-image-840\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-30-480x1024.png 480w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-30-141x300.png 141w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-30-768x1638.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-30.png 927w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption><strong>Dimosthenis Avramidis, DIPTYQUE: <\/strong><br> <strong><em>1. ANGEL OF THE LORD, A TRIBUTE TO ARCHANGEL MICHAEL <\/em>(Ange du Seigneur, hommage \u00e0 l&#8217;Archange Michel), 2019.&nbsp;<\/strong><br> Acrylique sur panneau de bois pr\u00e9par\u00e9 en pl\u00e2tre, dorure \u00e0 l&#8217;eau.&nbsp;<br> Cm 120 X 57.<strong> <\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"484\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-31-484x1024.png\" alt=\"\" class=\"wp-image-841\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-31-484x1024.png 484w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-31-142x300.png 142w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-31-768x1623.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-31.png 933w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><figcaption><strong><em>2. ANGEL OF THE LORD, A TRIBUTE TO ARCHANGEL GABRIEL <\/em>(Ange du Seigneur, hommage \u00e0 l&#8217;Archange Gabriel), 2019.&nbsp;<\/strong><br> Acrylique sur panneau de bois pr\u00e9par\u00e9 en pl\u00e2tre, dorure \u00e0 l&#8217;eau.&nbsp;<br> Cm 120 X 57.&nbsp;<br> \ufeff<strong>Collection priv\u00e9e.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"716\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-32-1024x716.png\" alt=\"\" class=\"wp-image-842\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-32-1024x716.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-32-300x210.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-32-768x537.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-32.png 1903w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Bruno Cerboni Bajardi, ESTATE DI SAN MARTINO (<em>L\u2019\u00c9t\u00e9 de Saint-Martin<\/em>), 2019.&nbsp;<\/strong><br> Huile sur panneau.&nbsp;<br> Diam\u00e8tre cm. 120.&nbsp;<br> <strong>Prix: 12.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"427\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-33-1024x427.png\" alt=\"\" class=\"wp-image-843\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-33-1024x427.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-33-300x125.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-33-768x321.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-33.png 1907w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>ADORAZIONE DEI MAGI (<em>L\u2019Adoration des Mages<\/em>), 2015.&nbsp;<\/strong><br> Huile sur toile.&nbsp;<br> Diam\u00e8tre cm. 167&#215;70.&nbsp;<br> <strong>Prix: 10.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-35-630x1024.png\" alt=\"\" class=\"wp-image-845\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-35-630x1024.png 630w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-35-185x300.png 185w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-35-768x1248.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-35.png 944w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><figcaption><strong>Romano Bertuzzi, PERCEZIONE DELL\u2019ANIMA, 2020-2021 (Perception de l\u2019\u00e2me). <\/strong><br> Pastel sur bois.&nbsp;<br> Cm. 250 x 160.&nbsp;<br> <strong>Prix: 20.000 \u20ac&nbsp;<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1002\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-36-1024x1002.png\" alt=\"\" class=\"wp-image-846\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-36-1024x1002.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-36-300x294.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-36-768x751.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-36.png 1627w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Stephane Blanchard, <\/strong>NORTHSTAR (<em>\u00c9toile du Nord<\/em>)&nbsp;<br> Techniques mixtes.&nbsp;<br> Cm. 70 x 70&nbsp;<br> <strong>Prix: 2.800 \u20ac<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"702\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-37-702x1024.png\" alt=\"\" class=\"wp-image-847\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-37-702x1024.png 702w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-37-206x300.png 206w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-37-768x1121.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-37.png 1684w\" sizes=\"auto, (max-width: 702px) 100vw, 702px\" \/><figcaption> <strong>Hugo Bogo, PSAUME, 2021.&nbsp;<\/strong><br> Huile sur toile.&nbsp;<br> Cm. 100 x 70.&nbsp;<br> <strong>Prix: 4.800 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-38-1024x1024.png\" alt=\"\" class=\"wp-image-848\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-38-1024x1024.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-38-150x150.png 150w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-38-300x300.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-38-768x768.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-38.png 1460w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Barbara Boissevain<strong>, SALT POND GRID VI, 2020 (Grille d&#8217;\u00e9tang sal\u00e9).&nbsp;<\/strong><br> Photographie num\u00e9rique d&#8217;archives sur Dibond&nbsp;<br> Quatre carr\u00e9s de cm. 40 x 40.&nbsp;<br> <strong>Prix: 3.200 \u20ac<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"635\" height=\"1013\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-39.png\" alt=\"\" class=\"wp-image-849\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-39.png 635w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-39-188x300.png 188w\" sizes=\"auto, (max-width: 635px) 100vw, 635px\" \/><figcaption><strong>Philippe Bresson, FROISS\u00c9, 2020. <\/strong><br> Inox ray\u00e9, n\u00e9on rouge&nbsp;<br> Cm. 110 x 45 x 15.&nbsp;<br> <strong>Prix: 3.800 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"975\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-40-975x1024.png\" alt=\"\" class=\"wp-image-850\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-40-975x1024.png 975w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-40-286x300.png 286w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-40-768x806.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-40.png 1903w\" sizes=\"auto, (max-width: 975px) 100vw, 975px\" \/><figcaption><strong>Gianluigi Da Campo, RIFRANGENZE DINAMICHE <\/strong><br> <strong>(R\u00e9fractions dynamiques), 2021.&nbsp;<\/strong><br> Tempera v\u00e9nitienne. Cadre en bois inclus dans l\u2019oeuvre.&nbsp;<br> <strong>Prix: 20.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"742\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-41.png\" alt=\"\" class=\"wp-image-851\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-41.png 1000w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-41-300x223.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-41-768x570.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption><strong>Angelica Dainese, MONDI SEGRETI (<em>Mondes secrets<\/em>), 2021.&nbsp;<\/strong><br> Photo imprim\u00e9e sur papier Fine Art Gicl\u00e9e. Pi\u00e8ce unique.&nbsp;<br> Cm. 50 x 70.&nbsp;<br> <strong>Prix: 4.800 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-42-690x1024.png\" alt=\"\" class=\"wp-image-852\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-42-690x1024.png 690w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-42-202x300.png 202w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-42-768x1140.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-42.png 1137w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><figcaption><strong>Gianni Depaoli, GOLGOTA, 2018. <\/strong><br> Technique mixte, Pain, peau et encre de seiche, m\u00e9thacrylate.&nbsp;<br> Cm 40 x 25.&nbsp;<br> <strong>Prix: 1.500 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"815\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-43-1024x815.png\" alt=\"\" class=\"wp-image-853\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-43-1024x815.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-43-300x239.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-43-768x611.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-43.png 1116w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Youdi Des Aubrys, LES DERVICHES TOURNEURS. <\/strong><br> Technique mixte, Pain, peau et encre de seiche, m\u00e9thacrylate.&nbsp;<br> Cm 40 x 25.&nbsp;<br> <strong>Colection priv\u00e9e.&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-44-605x1024.png\" alt=\"\" class=\"wp-image-854\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-44-605x1024.png 605w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-44-177x300.png 177w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-44-768x1300.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-44.png 1404w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><figcaption><strong>Marco Fiaschi, SIC TRANSIT GLORIA MUNDI, 2021. <\/strong><br> Technique mixte, Pain, peau et encre de seiche, m\u00e9thacrylate.&nbsp;<br> Technique mixte : sable-r\u00e9sine-pigments-sur plaque de fer.&nbsp;<br> Cm 150 x 70.&nbsp;<br> Technique mixte : sable-r\u00e9sine-pigments-sur plaque de fer.&nbsp;<br> <strong>Prix: 2.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"737\" height=\"553\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-45.png\" alt=\"\" class=\"wp-image-855\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-45.png 737w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-45-300x225.png 300w\" sizes=\"auto, (max-width: 737px) 100vw, 737px\" \/><figcaption><strong>Jean-Paul Fretey, LIBELLULE, 2021. <\/strong><br> Assemblage bois et m\u00e9tal (rouet, pale et presse-pur\u00e9e)&nbsp;<br> Cm 90 x 60.&nbsp;<br> <strong>Prix: 1.500 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"737\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-46-1024x737.png\" alt=\"\" class=\"wp-image-856\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-46-1024x737.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-46-300x216.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-46-768x553.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-46.png 1551w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>G\u00e9rald Greco, M\u00c9DITATIONS AVANT L\u2019ORAGE. <\/strong><br> Huile sur toile.&nbsp;<br> Cm 70 x 100.&nbsp;<br> <strong>Prix: 5.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-47-1024x768.png\" alt=\"\" class=\"wp-image-857\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-47-1024x768.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-47-300x225.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-47-768x576.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-47.png 1900w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Giuliano Introini, <\/strong>&#8220;La Grande Apparizione (La grande Apparition).&nbsp;<br> Technique mixte: acrylique et stylo flip sur toile imprim\u00e9e num\u00e9riquement.&nbsp;<br> Cm. 100 x 120.&nbsp;<br> <strong>Prix: 2.800 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"494\" height=\"640\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-48.png\" alt=\"\" class=\"wp-image-858\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-48.png 494w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-48-232x300.png 232w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><figcaption><strong>Gabriel <\/strong>Jideonwor<strong>, <\/strong>IN MY HEART (<em>Dans mon coeur<\/em>), 2021.&nbsp;<br> Peinture acrylique sur toile.&nbsp;<br> Cm. 120 x 90.&nbsp;<br> <strong>Prix: 3.500 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"714\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-49-714x1024.png\" alt=\"\" class=\"wp-image-859\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-49-714x1024.png 714w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-49-209x300.png 209w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-49-768x1101.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-49.png 1194w\" sizes=\"auto, (max-width: 714px) 100vw, 714px\" \/><figcaption> Manfred Kielnhofer&nbsp;<br> <strong>GUARDIANS OF TIME (Les Gardiens du Temps), 2012 &#8211; Petit.&nbsp;<\/strong><br> Plastique peinte or et argent. Cm 20 x 20 x 20.&nbsp;<br> <strong>Prix: 290 \u20ac&nbsp;<\/strong><br> <strong>GUARDIANS OF TIME (Les Gardiens du Temps), 2012 &#8211; Moyen.&nbsp;<\/strong><br> Plastique peinte or et argent. Cm 42 x 40 x 38.&nbsp;<br> <strong>Prix: 490 \u20ac&nbsp;<\/strong><br> <strong>GUARDIANS OF TIME (Les Gardiens du Temps), 2014 &#8211; Grand.&nbsp;<\/strong><br> Polyestere laqu\u00e9. Cm 90 x 90 x 75.&nbsp;<br> <strong>Prix: 4.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"496\" height=\"696\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-50.png\" alt=\"\" class=\"wp-image-860\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-50.png 496w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-50-214x300.png 214w\" sizes=\"auto, (max-width: 496px) 100vw, 496px\" \/><figcaption><strong>Koba, SARAH, 2021 <\/strong><br> Mosa\u00efque, marbre naturel provenant du monde entier&nbsp;<br> Cm 76,8 x 141,6.&nbsp;<br> <strong>Prix: 14.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-51-826x1024.png\" alt=\"\" class=\"wp-image-861\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-51-826x1024.png 826w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-51-242x300.png 242w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-51-768x952.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-51.png 1930w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><figcaption><strong>Andr\u00e9 Laurenti, COUPE AU NUAGE, 2021. <\/strong><br> Verre de Murano souffl\u00e9.&nbsp;<br> Cm 40 x 25.&nbsp;<br> <strong>Prix: 4.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"616\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-52-616x1024.png\" alt=\"\" class=\"wp-image-862\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-52-616x1024.png 616w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-52-180x300.png 180w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-52-768x1278.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-52.png 942w\" sizes=\"auto, (max-width: 616px) 100vw, 616px\" \/><figcaption><strong>Murielle O., LA TRANSCENDANCE, 2021. <\/strong><br> Peinture \u00e0 l&#8217;huile sur un ch\u00e2ssis en lin.&nbsp;<br> Cm .97 x 162.&nbsp;<br> <strong>Prix: 12.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"778\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-53-778x1024.png\" alt=\"\" class=\"wp-image-863\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-53-778x1024.png 778w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-53-228x300.png 228w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-53-768x1011.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-53.png 1738w\" sizes=\"auto, (max-width: 778px) 100vw, 778px\" \/><figcaption><strong>Nguyen Xuan Anh, ST. JOSEPH&#8217;S CATHEDRAL, 2021. <\/strong><br> Photo num\u00e9rique, nombre d&#8217;exemplaires : 5&nbsp;<br> <strong>Prix: 1.500 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"693\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-54-693x1024.png\" alt=\"\" class=\"wp-image-864\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-54-693x1024.png 693w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-54-203x300.png 203w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-54-768x1135.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-54.png 1199w\" sizes=\"auto, (max-width: 693px) 100vw, 693px\" \/><figcaption><strong>Marie-Agn\u00e8s P\u00e9rigault, \u00c9L\u00c9VATION. <\/strong><br>Prise de vue argentique <br> Tirage argentique sur papier Baryt\u00e9 contrecoll\u00e9 sur aluMINIUM.&nbsp;<br> (3 tirages pour cette photographie tout format confondu dont 1 d\u2019artiste)&nbsp;<br> <strong>Prix: 1.100 \u20ac <\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-55-754x1024.png\" alt=\"\" class=\"wp-image-865\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-55-754x1024.png 754w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-55-221x300.png 221w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-55-768x1043.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-55.png 1721w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/><figcaption><strong>Olga Novitskaya-Ravn, &#8220;THE TWO ENCHANTED ONES <\/strong><br> <strong>(Les deux enchant\u00e9s), 2021.&nbsp;<\/strong><br> Acrylique sur toile.&nbsp;<br> Cm 80 x 60.&nbsp;<br> <strong>Prix: 800 \u20ac<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"498\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-56-498x1024.png\" alt=\"\" class=\"wp-image-866\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-56-498x1024.png 498w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-56-146x300.png 146w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-56-768x1579.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-56.png 1093w\" sizes=\"auto, (max-width: 498px) 100vw, 498px\" \/><figcaption><strong>Patrizia Salles, FISSURA, BLACK AND WHITE SERIES, 2012. <\/strong><br> Triptyque: Mosa\u00efque \u2014 Verre vitr\u00e9, marbre et pierre de Carrare, roche fluviale, alb\u00e2tre et divers autres marbres sur bois&nbsp;<br> Cm. 53 x 117.&nbsp;<br> <strong>Prix: 4.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-57-1024x1024.png\" alt=\"\" class=\"wp-image-867\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-57-1024x1024.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-57-150x150.png 150w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-57-300x300.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-57-768x768.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-57.png 1830w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption> <strong>Sandhya Natalia, IDENTIT\u00c9, 2015-2017.&nbsp;<\/strong><br> Huile sur toile.&nbsp;<br> 80 cm de diam\u00e8tre.&nbsp;<br> <strong>Prix: 20.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1011\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-58-1024x1011.png\" alt=\"\" class=\"wp-image-868\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-58-1024x1011.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-58-300x296.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-58-768x758.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-58.png 1915w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Alain Santoro (Afric\u2019Art R\u00e9cup M\u00e9tal) &#8211; TRYPTIQUE, 2021 <\/strong><br> Plaque acier avec \u00e9chantillons de r\u00e9cup\u00e9ration de diff\u00e9rents m\u00e9taux.&nbsp;<br> Dimensions: cm. 50 x 45 x h45. Poids: 50 kg.&nbsp;<br> <strong>Prix: 1.500 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"405\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-59-1024x405.png\" alt=\"\" class=\"wp-image-869\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-59-1024x405.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-59-300x119.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-59-768x304.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-59.png 1889w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Barbara Sillari, ORIGINE DE LA VIE, 2010. <\/strong><br> Acrylique sur toile.&nbsp;<br> Dimensions: cm. 200 x 80.&nbsp;<br> <strong>Prix: 8.700 \u20ac<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"916\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-60-1024x916.png\" alt=\"\" class=\"wp-image-870\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-60-1024x916.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-60-300x268.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-60-768x687.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-60.png 1718w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Lapo Simeoni, 21 PERSPECTIVES FROM THE PAST, PRESENT AND FUTURE <\/strong><br> <strong>(21 prospectiveS du pass\u00e9 pr\u00e9sent futur), 2014,&nbsp;<\/strong><br> technique mixte sur bois,&nbsp;<br> Cm 55 x 65.&nbsp;<br> <strong>Prix : 2.200\u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-61-1024x683.png\" alt=\"\" class=\"wp-image-871\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-61-1024x683.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-61-300x200.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-61-768x512.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-61.png 1953w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Peter Strebel, FROM AUGUST STRINDBERG SERIE, 2021. <\/strong><br> Pigment photoprint&nbsp;<br> Dimensions: cm. 104 x 59&nbsp;<br> <strong>Prix: 1.500 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"904\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-62-1024x904.png\" alt=\"\" class=\"wp-image-872\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-62-1024x904.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-62-300x265.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-62-768x678.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-62.png 1917w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Dam Lan Tung, FRAGILE LIMIT (<em>Limite fragile<\/em>), 2020&nbsp;<\/strong><br> Oil on canvas.&nbsp;<br> Cm. 80 x 90.&nbsp;<br> <strong>Prix: 3.500 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-63-819x1024.png\" alt=\"\" class=\"wp-image-873\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-63-819x1024.png 819w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-63-240x300.png 240w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-63-768x960.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-63.png 1957w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption><strong>Patrick Varotto, ON PEUT TOUS VOIR CE QUE VOIENT MES YEUX, MAIS PERSONNE NE PEUT VOIR CE QUE VOIT MON \u00c2ME, 2021. <\/strong><br> Photo sur papier support m\u00e9tallique. Pi\u00e8ce unique.&nbsp;<br> Cm. 80 x 100.&nbsp;<br> <strong>Prix: 450 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"762\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-64-1024x762.png\" alt=\"\" class=\"wp-image-874\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-64-1024x762.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-64-300x223.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-64-768x572.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-64.png 1634w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Olivier-Thomas Venard, TRYPTIQUE ROSARIUM,1 <\/strong><br> &#8211; Au milieu: <strong>ROSAIRE<\/strong>, d\u00e9trempe, nacre, feuille de cuivre, encre de Chine et collage sur papier maroufl\u00e9 sur isorel, 2021, cm. 100 X 50.&nbsp;<br> A gauche, <strong>CRUCIFICTION<\/strong>, d\u00e9trempe sur papier maroufl\u00e9 sur toile et collage, 2021, cm. 60 x 45.&nbsp;<br> &#8211; A droite: <strong>ASCENSION<\/strong>, d\u00e9trempe sur papier maroufl\u00e9 sur toile, nacre, feuille de cuivre, 2021, cm. 60 X 49.&nbsp;<br> <strong>Prix: 7.000 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"779\" height=\"1024\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-65-779x1024.png\" alt=\"\" class=\"wp-image-875\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-65-779x1024.png 779w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-65-228x300.png 228w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-65-768x1009.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-65.png 1740w\" sizes=\"auto, (max-width: 779px) 100vw, 779px\" \/><figcaption><strong>Domenico Venezia, THE VISION OF ST. JOHN, REVELATION 1, 1:19 <\/strong><br> <strong>(La Vision de St-Jean &#8211; R\u00c9V\u00c9LATION 1, 1:19), 2021.&nbsp;<\/strong><br> Technique mixte, crayon et encre sur papier.&nbsp;<br> Cm 28 x 36.&nbsp;<br> <strong>Prix: 400 \u20ac<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"984\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-66-1024x984.png\" alt=\"\" class=\"wp-image-876\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-66-1024x984.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-66-300x288.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-66-768x738.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-66.png 1808w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Silvia Venuti, L\u2019ANGELO (L\u2019Ange), 2021. <\/strong><br> acrylique et feuille d&#8217;or sur toile.&nbsp;<br> Cm 80 x 80.&nbsp;<br> <strong>Prix: 12.000 \u20ac<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"511\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-67-1024x511.png\" alt=\"\" class=\"wp-image-877\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-67-1024x511.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-67-300x150.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-67-768x383.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-67.png 2011w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Jody West, <\/strong>WANDERING EAST OF EDEN (Errant \u00e0 l\u2019est de \u2018Eden), 2021.&nbsp;<br> Triptyque ex\u00e9cut\u00e9 \u00e0 l&#8217;huile sur feuille d&#8217;argent&nbsp;<br> Cm. 90 x 180.&nbsp;<br> <strong>Prix: 5.500 \u20ac&nbsp;<\/strong> <\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1016\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-68-1024x1016.png\" alt=\"\" class=\"wp-image-878\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-68-1024x1016.png 1024w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-68-150x150.png 150w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-68-300x298.png 300w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-68-768x762.png 768w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2022\/02\/image-68.png 1672w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption> <strong>Guia Zurla, PILGRIM\u2019S SHELL (La Coquille du p\u00e8lerin), 2019.\u00a0<\/strong><br> Technique mixte pl\u00e2tre, r\u00e9sine et charbon de bois.\u00a0<br> Cm. 20 x 20 x 2.\u00a0<br> <strong>Prix: 500 \u20ac <\/strong><br><\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\" style=\"text-align:center\"><em>Designers<\/em><\/h3>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"599\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2019\/06\/1-1.jpg\" alt=\"\" class=\"wp-image-106\" srcset=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2019\/06\/1-1.jpg 600w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2019\/06\/1-1-150x150.jpg 150w, https:\/\/biennale-bacs.com\/wp-content\/uploads\/2019\/06\/1-1-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption><strong>Meret Oppenheim, ITRACCIA, 1970. <\/strong><br><em>Pi\u00e8tement en laiton, plateau en bois dor\u00e9 \u00e0 la feuille\u00a0<\/em><br> Dimensions: cm. 50 x 45.\u00a0<br><strong>Prix: 2.200 \u20ac<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"265\" height=\"200\" src=\"https:\/\/biennale-bacs.com\/wp-content\/uploads\/2019\/06\/unnamed.jpg\" alt=\"\" class=\"wp-image-110\"\/><figcaption><strong>Man Ray, LES GRANDS TRANSPARENTS, 1938. <\/strong><br> Miroir plat elliptique avec surface polie s\u00e9rigraphi\u00e9e et support en polyur\u00e9thane dur.\u00a0<br> Il a \u00e9t\u00e9 con\u00e7u en 1938 et sign\u00e9 par le grand photographe Man Ray pour la marque Simon by Cassina.\u00a0<br> R\u00e9\u00e9dit\u00e9 par Simon Gavina en 1971.\u00a0<br> L&#8217;inscription imprim\u00e9e est un jeu de mots.\u00a0<br> Dimensions: H=180cm ; L=90 cm ; D=3cm.\u00a0<br><strong>Prix: 2.000 \u20ac<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hommage aux Ma\u00eetres disparus&nbsp; Ma\u00eetres vivants Artistes invit\u00e9s Designers<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-766","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/biennale-bacs.com\/index.php\/wp-json\/wp\/v2\/pages\/766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/biennale-bacs.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/biennale-bacs.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/biennale-bacs.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/biennale-bacs.com\/index.php\/wp-json\/wp\/v2\/comments?post=766"}],"version-history":[{"count":10,"href":"https:\/\/biennale-bacs.com\/index.php\/wp-json\/wp\/v2\/pages\/766\/revisions"}],"predecessor-version":[{"id":883,"href":"https:\/\/biennale-bacs.com\/index.php\/wp-json\/wp\/v2\/pages\/766\/revisions\/883"}],"wp:attachment":[{"href":"https:\/\/biennale-bacs.com\/index.php\/wp-json\/wp\/v2\/media?parent=766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}